Dies ist eine eher selten gespielte Etüde aus diesem Opus. Hier ein Spiel-Versuch auf der Silent Guitar.
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Ges-Dur “Schwarze Tasten”
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Enfin l’étude 4 de l’opus 60 en Do mineur qui vous permettra d’utiliser les notes apprises dans la vidéo précédente, le Si bémol, le La bémol et le Mi bémol. Un petit cours d’interprétation suivra. Nun endlich, die Etüde 4 des Opus 60, die Ihnen erlauben wird die Noten Es, As und B zu benutzen, die wir in der vorherigen Video auf Französisch gelent haben. Eine kleiner Interpretationskurs wird folgen! Here is the study opus 60 number 4, which allow us to use the notes Eb, Ab, and Bb. A little course of interpretation will follow next time.
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Tags: Etüde, Fernando, mineur, Opus
25 Aug 2011 Etüde
Etüde in c-Moll, op. 10 Nr. 12 Walzer in e-Moll, Opus posthum Solist: Evgeny Kissin, Klavier Philharmonisches Orchester Warschau Dirigent: Antoni Wit Étude Op. 10, No. 12 in C minor, known as the Revolutionary Étude or the Étude on the Bombardment of Warsaw is a solo piano work by Frédéric Chopin written circa 1831, and the last in his first set, Douze Grandes Études, dedicated “à son ami Franz Liszt” (“to his friend Franz Liszt”). The 12th Étude appeared around the same time as the November Uprising in 1831. Chopin poured his emotions on the matter into many pieces that he composed at that time, the “Revolutionary Étude” standing out as the most notable example. Upon conclusion of Poland’s failed revolution against Russia, he cried “All this has caused me much pain. Who could have foreseen it!” The “Revolutionary Étude” was the last piece played on free Polish radio in Warsaw before it was taken over by Germany at the start of World War II. In the case of the 12th Étude, the technique required in the opening bars is playing long, loud descending runs extremely fast in mainly the left hand, which forms a dominant seventh chord (or diminished seventh chord) introductory build-up to the main theme. The length and the repetition of these rapid passages distinguishes the Revolutionary from other Études. Although the greatest challenge lies with the relentless left hand semiquavers, the right hand is also challenged by the cross-rhythms which are used with increasing …
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Tags: Chopin, cmoll, eMoll, Etüde, Frederic, Opus, posthum, Walzer
